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World of Glass: A Conversation with Nathalie Djurberg and Hans Berg

The work of Nathalie Djurberg and Hans Berg is defined by duality. A partnership between artist and musician, their stop-motion animation videos and haunting audio tracks precariously balance horror...

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One man’s rabbit is another man’s…

On my first interview for graduate school, I unerringly identified each slide shown to me: Warhol, Matisse, Pollock, Smithson. I left confident for my next interview the following day. I waltzed into...

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Fan Mail: Joe Webb

In Joe Webb’s Stirring Up A Storm (2014), the nearly full moon peers resolutely down like a removed voyeur, while a continent-sized Sunbeam Mixmaster Junior (an electric mixer from the 1950s) stirs...

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Fan Mail: Holger Kilumets

Holger Kilumets is keenly aware of—and keen to explore—the conceptual and physical mechanisms of photographic representation. In a new body of work, Maps & Territories (2014), Kilumets uses...

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Slapstick and the Sublime: Michelle Grabner with David Robbins

From our partners at Art Practical, today we bring you a conversation between artist/curator Michelle Grabner and artist/writer/concrete comedian David Robbins. This interview was commissioned by guest...

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Fan Mail: Celeste Fichter

A close-up shot of Dwayne “The Rock” Johnson’s face, Prince Charles atop his horse playing polo, and Dom DeLuise in drag pouring wine: What do these three things have in common? Nothing really, except...

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Fan Mail: Cristina Burns

Cristina Burns’ work offers a poised and humorous vision of a world measured more by twisted fantasy than by the so-called sanity we are all so accustomed to assuming. Working primarily in photography,...

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Tseng Kwong Chi at Grey Art Gallery

Tseng Kwong Chi: Performing for the Camera is the first major retrospective on the artist, co-organized by the Chrysler Gallery and NYU’s Grey Art Gallery. Bringing Tseng’s body of work to the fore is...

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Paola Pivi: Ma’am at Dallas Contemporary Museum

Paola Pivi’s exhibition, Ma’am, at the Dallas Contemporary Museum fills the galleries with colorful creatures and inflatables, coffee beans, feathers, and faux pearls. Visual tricks and gags, sensorial...

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Jimmie Durham: At the Center of the World at the Hammer Museum

Among obsidian stones, an upturned police barricade, a beat-up refrigerator, and cow vertebrae, the detail that lingers longest in Jimmie Durham’s retrospective, on view at the Hammer Museum, is...

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